Co-Directed by Julie Rada, Stacey D'Angelo, Meghan Frank, and Mark Dissette
Produced by Phamaly Theatre Company & the Department of Theatre at the Community College of Aurora
Fine Arts Building, Community College of Aurora, Aurora, Colorado
October 26th — November 6th, 2017
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We're all works in progress. This collaboration between PHAMALY and CCA actors explores the road maps of our lives and voices, challenging the very construct of "disability."
Together CCA students and PHAMALY company members present a series of original short plays and sketches centered around perceptions of disability, with a focus on visibility, breaking down barriers, and highlighting voice and awareness of those living with disabilities within our college and greater community.
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Photography by Morgan Eller
Directed and created by Julie Rada
Based on essays written by immigrant and refugee students at the Community College of Aurora.
Produced by the Department of Theatre at the Community College of Aurora & ThankYouAmerica. ThankYouAmerica is a student group, focused on celebrating immigrant contributions to the civic life of our communities, both the college and the City of Aurora.
Cultural Celebration at the Rotunda, Community College of Aurora, Aurora, Colorado, March 7th, 2017
Aurora Municipal Center, Aurora, Colorado, March 15th, 2017
Co-Directed by Julie Rada, with Stacey D'Angelo
Produced by the Department of Theatre at the Community College of Aurora
Fine Arts Building, Community College of Aurora, Aurora, Colorado
November 3rd — November 12th, 2016
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The Collective Heart Project is a collaborative community performance and dialogue. Throughout fall 2016, installation booths will be placed around both CCA campuses in which community members will record their responses intended to get to the heart of what the community is thinking about a variety of contemporary issues, from gun violence to racial tensions to the 2016 election. A core group of students will generate an original performance based on the source material gathered in these booths. The process will result in a 48-hour performance festival.
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Conceived by Stacey D'Angelo
By Naomi Iizuka
Directed by Julie Rada
Produced by the Department of Theatre at the University of Utah
Studio 115, Performing Arts Building, University of Utah campus, Salt Lake City, Utah
October 30th — November 8th, 2015
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Something happened to Chloe after that party last Saturday night. The problem is, she can’t remember anything. And everybody at high school is talking about what happened. Was she raped? How could those boys do that to her? Or did they? Set in a high school in American Midwest, in a world of Facebook, Twitter, smart phones and YouTube, Good Kids explores the very public aftermath of a sex crime and its cover-up. Who’s telling the truth? Whose version of the story do you believe; and what does that say about you? Good kids is provocative, haunting and stunningly current.
Rehearsals included trainings by the Center for Student Wellness and the Center for Disability Services.
Post-show events included a talk back with the cast and designers, a panel discussion with Katie Stiel (Program Manager of the Center for Student Wellness), Kristy Bartly (Counseling Coordinator at the Women`s Resource Center) and Jodi Peterson (Sexual Assault Support Advocate), and "Cookies and Consent: A Training on Rape Mythology and Bystander Intervention" with the Center for Student Wellness.
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Press Coverage:
Contact with Mary Dickson on KUED Public Broadcasting Station, Channel 7 - "U of U Department of Theatre Presents Good Kids: Interview with Director, Julie Rada"
Utah Public Radio - "Theatre Production About Sexual Assault Makes Utah Premier in Salt Lake City" by Mikey Kettinger
The Salt Lake Tribune (front page) - "Utah college performs play based on Steubenville High rape case" by Annie Knox
"The Finer Points Blog" at the University of Utah College of Fine Arts - Guest post by Julie Rada, Raymond C. Morales Fellow in the Department of Theatre and director of GOOD KIDS
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Performed by Daniel Amsel, Rebekah Blackburn, Alex Coltrin, Annealea Flynn, Maddy Galindo, Carson Kohler, Gabbi Lemanski, Jessica Montgomery, Haley Pulsipher, Torin Scoffield, Kali Scott, Joshua Wood
Dramaturgy by Martine Kei Green-Rogers and Lauren Carter
Stage Management by Macarena Subiabre, Assistant Stage Management by Martin Alcocer and Gaby Flores
Lighting Design by Jack Roach
Sound Design and Original Music by Jennifer Jackson
Costume Design by Jessica Dudley
Scenic Design by Heather Paulson
Properties Design by Arika Schockmel
Photography by IceWolf Photography
A new devised performance by members of the Department of Theatre, University of Utah, directed/facilitated by Julie Rada, performed by a student ensemble of ten.
Kennedy Center American College Theatre Festival (KCACTF-Region 7), Denver, Colorado
University of Utah, February 12th & 13, 2016; KCACTF at Metro State University, February 17th, 2016
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Taking its title from the idea of what is left after someone dies, Residue explores the situations of love and loss, and what’s left after passing. Georgia Powers and a coroner trace back through Georgia’s life in attempt to put together her narrative after she has died; all this told in a 20-minute world premier which features movement and poetic storytelling.
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ensemble/co-creators: Beret Brems, Monica Goff, Louis Hillegass IV, Kelsey Jensen, Emily Nash, Cece Otto, Ashley Marian Ramos, Tori Sicklick, Katryna Williams, Benjamin Young, Dominic Zappala
director/faculty facilitator/co-creator: Julie Rada
poster design by Katryna Williams
sound design by Dominic Zappala
all designs developed by Julie Rada and the ensemble
script development
poster
script development - sorting research and notes
sorting and bucketing
script development - Kali reviews the notes
script development - cut-up work
script development - Cece reviews the notes
script development - Mitsi reads through ideas
A new devised performance by members of the Department of Theatre, University of Utah, directed/facilitated by Julie Rada, performed by a student ensemble of nine
Kennedy Center American College Theatre Festival (KCACTF-Region 8), St. George, Utah
University of Utah, February 6th & 7th, 2015; KCACTF at Dixie State University, February 14th, 2015
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Based on the national prompt provided by KCACTF, "sometimes it's easier to hear when we whisper," members of the ensemble interviewed each other, wrote poetry and prose, developed choreography, learned contemporary performance techniques such as the Viewpoints, and generated scores of material clustered around the idea of whispering. Taking its title from the unique architectural spaces in which one person can whisper on one side of a room and be heard by a listener impossibly far away from the speaker, whispering gallery explores the situations of love and loss in which whispered secrets and confessions take place. Lovers speak through tin-can telephones, Bob Ross paints his happy trees, and a subculture of whisper fanatics detail their obsessions; all this told in a 20-minute world premier which features movement and poetic storytelling.
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ensemble/co-creators: Daniel Amsel, Jeffrey Black, Coltyn Giltner, Steven Jones, Samantha Mitsi Kofford, Cece Otto, Tori Sicklick, Kali Scott, Joshua Wood
director/faculty facilitator/co-creator: Julie Rada
poster design and photography by Samantha Mitsi Kofford
whisper trees constructed and designed by Steven Jones
clouds constructed by Shelley Edwards
all other designs developed by Julie Rada and the ensemble